Audiovisual installation of the Casapalma project at Marisma, Faro Santander
Exhibition
08 September 2026 - 31 May 2027

Marisma: Creation Grant Projects

Faro Santander Creation Grants

 

The Faro Santander Creation Grants programme, curated by Ane Rodríguez Armendariz,  was launched with the aim of helping artists from Cantabria to pursue their artistic research and production projects.

 

The artworks, documents, materials and sketches on display on this occasion illustrate the research and working processes of the four projects selected in the first open call of this programme. Although they use different languages, media and methods, all four approach the image as a place from which to revisit memory and activate new readings of the present. Flesh & Films / Pieles y pantallas by Iribarren & De la Riva retrieves an educational archive and proposes a body-centred reinterpretation; Una forma minúscula by Salón de belleza explores audiovisual genealogies and the construction of collective memory; Suite de los Riconchos by Casapalma uses an audiovisual suite to investigate traditional Cantabrian folk dance; and Ludarquías by Amaia Bregel shifts the logic of the pictorial game onto the spatial device. In all of them, existing forms, traditions, gestures and images are reinterpreted and take on new meaning in the present.

FARO SANTANDER CREATION GRANTS PROGRAMME CREDITS 

 

ORGANISED AND PRODUCED BY 

Faro Santander - Fundación Banco Santander 

 

PROGRAMME CURATOR 

Ane Rodríguez Armendariz 

 

SELECTION JURY MEMBERS 

Alba Colomo, Alfredo Puente, Ane Rodríguez Armendariz, Juan López, María Beguiristain y Susana Gómez San Segundo 

 

SEMINARS AND MENTORING SESSIONS 

Andrea Canepa, Cristina Ramos, Guillermo G. Peydró y Aimar Arriola 

 

ACKNOWLEDGEMENTS 

Textil Santanderino 

 

EXHIBITION AND GRAPHIC DESIGN 

Laura Álvarez Architecture 

 

LIGHTING DESIGN 

Oier Ituarte 

 

MUSEOGRAPHIC PRODUCTION 

Formak 

 

EXHIBITION INSTALLATION AND LIGHTING 

Giroa Veolia 

 

AUDIOVISUALS 

Telesonic S.L. 

 

VIDEO EDITION 

Tom Haines