Leonora Carrington (1917–2011) was born in Lancashire into a wealthy family, before rejecting the conventions of the upper class in which she had been educated and moving to Paris in 1937 to become an artist. There she began to cultivate the surrealist language with her own artistic  style, fusing mythology, Celtic folklore, alchemy, and occultism with a profoundly  feminist and rebellious imagination.

In 1939, at the outbreak of the Second World War, Carrington experienced a psychological crisis, and in August 1940 she was hospitalised for four months in Peña Castillo Sanatorium, Santander, under the supervision of Dr Luis Morales. She later described this period as "down below", an experience which was, for her, like ‘being dead’. Yet rather than an end point, this psychic descent marked a period of profound inner transformation. The exhibition takes descent and ascent as its guiding metaphors, evoking the underworld as a space not only of death, but also of transformation and renewal. 

The Symptomatic Surreal is the first institutional exhibition dedicated to the paintings, drawings and texts created by Carrington during the Second World War (1939 - 1944). Despite having limited access to artistic material during the war, Carrington worked with sketchbooks, creating a visual record of that period of deep crisis. Through the drawings she made in her Santander notebooks between 1940 and 1941, before emigrating definitively to Mexico, this exhibition traces Carrington's flight from Nazi-occupied France, her hospitalisation in Francoist Spain and her subsequent passage through Madrid and Lisbon until she reached New York. Reunited with her surrealist friends in exile, she began a period of intense creativity during which she painted, wrote and participated in important surrealist exhibitions.

Exhibition organised by Faro Santander in collaboration with Freud Museum London, and curated by Vanessa Boni.

THE SYMPTOMATIC SURREAL: LEONORA CARRINGTON EXHIBITION CREDITS

ORGANISED AND PRODUCED BY

Faro Santander - Fundación Banco Santander 

INSTITUTIONAL PARTNER

Freud Museum London 

CURATOR

Vanessa Boni 

EXHIBITION AND GRAPHIC DESIGN

Oliver Long 

LIGHTING DESIGN

Oier Ituarte 

CONSERVATION AND RESTAURATION

Pilar Chaves Castanedo (TRESA Restauración) 

MUSEOGRAPHIC PRODUCTION

Formak 

EXHIBITION INSTALLATION

Giroa Veolia 

GRAPHIC PRODUCTION

Serisan 

LENDERS

Faro Santander would like to express its sincere gratitude to all lenders whose generosity and collaboration have made this exhibition possible.